A dark screen accompanies the sounds of rhythmic drums and sinister music. The darkness fades into a chronological montage of U.S. Army propaganda, leading a viewer through an overview of military aesthetic dating from the newsreel era to the videogame epoch. From the opening frame, a new documentary called “The Invisible War” establishes the realm of an alternate military reality, far from civilian life. A woman explains in voiceover: “There’s a right way, a wrong way, and the Army way.”

For many of us, the phrase “wartime rape” evokes blurry, broad ideas of military assault, battles, and weapons. Just like the common misconceptions that surround rape in places like the U.S. or the UK (such as the idea that rape is a crime committed by a shadowy stranger in a dark alley, when, according to UK charity Rape Crisis, “only 9 percent of rapes are committed by ‘strangers’”) it is easy to make incorrect assumptions about the causes and manifestations of wartime rape.

“Who should I blame for this? Mubarak for destroying my country’s education so those men have no respect for women and have become just animals … our useless police who are incapable of defending us…our religious leaders who claim that they want what’s best but they don’t go to these young men and teach them what’s right…. Who? … I am sorry for the women of Egypt… . I am angry but I am not broken.”

The loud, unexpected laughter stuck with me long after my conversation about sexualized violence with a women’s group from Kibera—Kenya’s biggest slum, located on the outskirts of Nairobi, and one of the hotspots for violence in the post-election conflict of 2007-2008.