While she’s only one of a handful of girls at the gym (and is constantly told that fighting is not something nice Trinidadian girls do), the sport provides the protagonist with a much-needed outlet away from her parents’ violent and volatile relationship
While still a minority of those whose movies are selected to represent their nations in the category, women filmmakers often offer a distinct, female-centered point of view.
Zendaya’s treatment in Dune exemplifies aspects of colorist privilege and gendered racism.
Our community must retake its rightful place as the driving force behind what Latinx content prevails
It’s reasonable to wonder why so many women would want to watch a male-directed movie, the cast of which is majority male and the plot of which is about a male-dominated industry (fashion). The reason, perhaps, might be due to the murder that drives the plot, which was ordered by a woman.
Jewell Parker Rhodes never learned about the 1921 Tulsa Race Massacre in school. It wasn’t until she was an adult that she read about the white-led mob violence that left hundreds dead and the historic Greenwood district in Tulsa destroyed.
The first-of-its-kind show highlights the experiences of women in West Asia, North Africa, and South Asia while examining the intersectionalities of race, migration, and class.
Author Raquel Vasquez Gilliland has always been drawn to stories about coming of age, rebellion, and belonging.
The filmmakers who created the Emmy-winning RBG turn the spotlight on the chef and author who was “deceptively groundbreaking and culturally important.”
Huq’s new graphic novel — Piece By Piece: The Story of Nisrin’s Hijab, which will be released on November 16 by Amulet Books — tells the story of a 13-year-old girl in Oregon whose world is upended when she becomes a victim of a hate crime while wearing a traditional Bangladeshi outfit and headscarf.
An ensemble of young women is helping to revive Sufi music, a traditionally male bastion.
While Swift’s fight to own her intellectual property is setting a new standard for women in the music industry, the resurfacing of the “old” Taylor Swift also reminds us that there are still fundamental issues regarding women’s value in the entertainment industry.
Released earlier this week, We Light Up The Sky tells the stories of three Latinx teens from very different families who suddenly come together after a mysterious alien life form known as The Visitor begins causing a path of destruction through their neighborhood.
The artist, perhaps best known for The Dinner Party, is being recognized with the first comprehensive retrospective of her decades-long career, at San Francisco’s de Young Museum.
We had the chance to chat with Yang over email about Room to Dream, what it is like writing such a personal series, and dealing with adults who are uncomfortable with diverse stories.
We had the chance to talk to Buford about her novel, how real-life events influenced this book, and how all teens can learn to find their voice.
Seyran Ateş established a mosque in Berlin that is inclusive and encourages discussion and debate.
Swift is no neophyte when it comes to embracing new genres and creating complex music many can connect to and enjoy.
Both artists opted to align with abusive men on both albums, making fandom of either artist harder to justify.
For the film, which won major accolades at Sundance, writer/director Siân Heder cast deaf actors in the roles of deaf characters and ensured the participation of deaf people in other aspects of the production.
The new documentary, Pray Away, offers surprising and nuanced insights.
In this Q and A, the screenwriters reveal how the woeful sex education they experienced as teens in Texas fueled the plot of their new teen road-trip movie.
Cultish provides readers with an explanation of not only how cults gain influence and but how seemingly any innocent person could fall prey to their power: the potency of words.
“Because We Are Girls” follows the story of three sisters on their journey to heal from the long-buried trauma of childhood sexual abuse decades before.
The exhibit coincides with the #LanAsket (“I will not be silenced”) movement against gender-based violence and harassment.
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