Kadin Burnett

Abrams’ reluctance to concede was not only about her determination to win, but also about preserving Georgia’s electoral integrity. 

Bucking the trend of male heroism, many slasher films have opted for “the Final Girl”: protagonists who are victims of murderous circumstances — who weren’t looking to fight for their lives but rather had the fight thrust upon them — but who survive nonetheless.

While it’s frustrating that Williams has to find herself navigating distractions like these instead of focusing on her 23 Grand Slam championships, Williams is nothing if not persistent.

The Scarlett Johansson incident was hardly the first time a cisgender actor was criticized for taking a role many believe should have gone to a trans actor. In fact, a pattern of cisgender actors being cast as, and then inevitably critically acclaimed and rewarded for playing, transgender characters has emerged over the past few years. 

Neither the #MeToo movement, nor the basic acknowledgment of a woman’s agency, decrees the death of romance. The refusal to let go of traditional courtship, however, illustrates not just Cavill’s, but many straight men’s, inability to accept the possibility, let alone reality, of a shift in the balance of power between men and women and their equation of that shift in balance with the “death” of dating.

Closure is one thing, but concocting an entire series based on the constant reminder — and, in the aforementioned case, physical destruction — of one’s past partner directly places this past relationship, and inherent to that, her past partner, as the cornerstone of Becca’s journey to find love is disempowering to Becca as a multidimensional person. 

On May 10, Spotify announced it will essentially act as an omniscient curator of the music of two problematic (if not criminal) artists: R. Kelly and XXXTentacion. Both of the artists’ music will still be available on the service, but Spotify will no longer actively promote their work.

It's important for desginers' clothes to be seen, but it’s just as important for those who wear clothes to feel seen by designers. And currently, many aren’t: specifically, individuals with disabilities. One brand might change that.

Sexual harassment is no laughing matter, but a recent Funny or Die sketch has managed to add some humor (dark though it may be) to the plague of sexual misconduct that spawned the #MeToo movement.

Finally, audiences — many for the first time ever — get to see a complex black superhero supported by a majority black cast, who thrive in positions of royalty and power based on their society’s technological advancement, in an Afrocentric environment.

Issa Rae is not only a talented creator and writer, but is actually shifting the way the industry views creators of color 

Men have only been surprised by #MeToo because they haven't been forced to confront the ways in which women’s lives are so frequently tinged with the feeling that they must defend themselves against men’s tendencies to sexualize them.

In the context of a market that has long failed to provide products for countless potential customers of color, Rihanna created products featuring myriad tones that embrace a diverse array of skin types.

While frustrating and dangerous, these constant attacks on women’s bodily autonomy provide all the more reason to support facilities like Planned Parenthood.

The privilege of fully being oneself is harder for students with whom schools take issue  — specifically black students, who are often disproportionately affected by dress code sanctions.

Detroit, directed by Kathryn Bigelow, takes place in the midst of the infamous 12th Street riot, which was sparked after the police raided an unlicensed club for African-American veterans in 1967....

“Is it a boy or a girl?” everyone asks immediately upon learning of a pregnancy or birth. It’s a question that dictates the name parents give their baby, determines the color they paint the nursery, and even catalyzes the shade of powder for a viral gender reveal at baby showers. But one Canadian family recently rejected this tradition..

Over its 15 years on the air, The Bachelor franchise has had some of the most aggravatingly attractive, square jawed, toned, and tantalizing contestants a producer could dream of. Every season, a sea of white faces, usually decorated with an occasional pinch of color, descend upon the Bachelor Mansion to drunkenly vie for the immediate and undying attention of one beautifully sculpted white person. But now, for its 34th season (which starts tonight), the franchise has finally stemmed its wave of “caucasity” by casting its first black bachelorette, Rachel Lindsay.