The media rarely covers the fact that the festival’s owner, Philip Anschutz, has donated to Republican politicians, anti-gay organizations, and organizations classified as hate groups.

South Africa’s entertainment industry has historically told monolithic narratives of black lives. While these narratives do reflect the reality of many black South Africans, they are not the only experiences of black South Africans and, moreover, not the only experiences black South Africans should be told are available to them.

The Favourite leans into the intentionality of the female characters’ sexuality and of their savagery, giving each character her own agency over both of these forces and, in doing so, casting their actions as morally ambiguous.ar

In the sixth and final season of House of Cards, President Claire Underwood has an opportunity to transcend Frank’s murderous scheming and set a more uplifting example, but instead forcefully pushes back against obstacles in her way and continues to fight for power at any expense.

It was only a matter of time before the echoes of Hollywood’s #MeToo and #TimesUp movements reached Bollywood, India’s film industry. That watershed moment finally arrived this September, when Indian actress Tanushree Dutta made accusations of harassment against industry veteran Nana Patekar

Bucking the trend of male heroism, many slasher films have opted for “the Final Girl”: protagonists who are victims of murderous circumstances — who weren’t looking to fight for their lives but rather had the fight thrust upon them — but who survive nonetheless.

On September 3, Brazil's National Museum caught on fire — an enormous tragedy that should serve as a reminder of how important it is for our country to maintain and value institutions that question the social inequalities in our country.

This year is the 20th anniversary of the widely beloved romantic comedy Practical Magic, a film that argues sorority is the most powerful magic available to women specifically because of its ability to uniquely support and instill confidence in each other.

Mona Haydar is a Syrian-American rapper and singer-songwriter who uses her powerful voice to call for justice.

Not only has Mazzoli been deemed “one of the more consistently inventive, surprising composers now working in New York” by the New York Times, but she is also the founder of the Luna Lab, a mentorship program for female-identifying composers between the ages of 13-19.

Higginbotham has covered topics including death, sex, and divorce. Recently, she told the FBomb about her newest book, Not My Idea, which tackles racism and white privilege, and is available now.

Yemeni singer, songwriter, and multi-instrumentalist Methal began her music career during the Arab Spring in 2011; that political escalation inspired her to more creatively address issues of religion and social justice. She most recently collaborated with the American rock band X Ambassadors and recorded the song “Cycles,” which depicts her relationship with her home country.

For the past few years, Yemen has been experiencing a catastrophic humanitarian crisis. The country has been wrought with a number of problems, and young Yemenis, especially young women, have been particularly affected by this conflict. Despite this troubling situation, however, a portion of Yemeni youth still dream of a better future. Among those who remain hopeful and productive are artists — a large number of whom are women.

On the surface, the Netflix hit GLOW is a show about the making of a show — specifically, the 1980s TV show “Gorgeous Ladies of Wrestling” (G.L.O.W.) that inspired the series. But beneath this plot lies a far more interesting exploration of women’s experiences in the entertainment industry, and in the world at large, in the 1980s through a modern lens.