'The Underground Railroad' meticulously displays one of history’s most shameful and violent eras without lingering in sadism.

We have entered into an arena where now more than ever before, our viewership is our currency and we must continue to shape the content that in turn shapes us.

I have seen article after article in feminist magazines about how the ’90s era of female vilification is over, yet we still see women like Carole Baskin bashed repeatedly in the media to this day.

The trilogy as a whole has been recognized for its strong representation of Asian women and culture, and its final installment notably shines in its ability to feature meaningful, three-dimensional depictions of female friendships, blended families, and healthy discussions about consent.

I still find myself wrestling with the miniseries on a regular basis. Namely, I’m stumped by my minimally wavering desire to love the series despite the red flags of its portrayal of women.

Since The Bachelor and The Bachelorette started in 2002 and 2003 respectively, only three leads have not been white.

Bridgerton deftly handles race, in much the same way Lin Manuel Miranda’s game-changing masterpiece Hamilton did.

“Not Done” argues that while many seemed to believe the feminist project was complete, especially in the midst of Obama-era idealism about social progress in America, it was, as the title states, not done.

Marvel Studios, one of the — if not the — most impressive names in the superheroine genre of entertainment, made headlines in recent years for their plans to add Ms. Marvel — a Pakistani-American, Muslim female superhero who first appeared in her own comic in 2014 — to their impressive roster of characters on screen.

A 2016 report revealed that one in five adult Brazilian women has had at least one abortion, which amounts to at least half a million women every year. Given that the practice is illegal, the number may be much higher.

A recent study found that there was also an unprecedented number of discussions about abortion depicted on television — more than ever observed in a single year.

No women were nominated in the category of Best Director at the Golden Globes even though there were more women-directed top-grossing movies in 2019 than in any year before.

A new report from GLAAD (the Gay and Lesbian Alliance Against Defamation) shows that there has been an incredible improvement in the representation of the LGBTQ community across TV platforms this year.