Here is what some female filmmakers had to say about their Oscar-nominated work for the major categories in the 2024 Academy Awards, which will be held on Sunday.
Chloe Domont’s film is not just a story about terrible people doing terrible things — it’s also a commentary on the danger of abusive work cultures that dehumanize the people in them.
The blockbuster film, with ticket sales of $1.4 billion worldwide, is the highest-grossing movie ever directed solely by a woman.
This summer’s films about women were an odd mix of stories that expanded the scope of women’s roles and those that offered tired narratives.
It’s impossible to enjoy Barbie without also being made to grapple with the throes of our real world.
As writers and actors continue their work stoppage, are recent improvements in representation and opportunity in jeopardy?
The Inclusion List, a first-of-its-kind resource, ranks creators based on cast and crew inclusion.
Two major reports on women’s participation in behind-the-camera jobs shows little progress over many years, as the percentage of women in these principal creative positions still has not topped 25%.
The opportunity gap is only widening in Hollywood.
Change in Hollywood does not materialize from a movie, especially not one that disregards existing industry threats.
Today I consider myself a passionate advocate for reproductive justice and freedom.
As comforting and engaging as these love stories can be, the truth is that most reiterate a problematic theme.
Two new studies show that the percentage of women in key behind-the-scenes jobs has barely budged in recent years.
Black women in the U.S. are three times more likely to die from pregnancy-related causes than are white women. The new documentary Aftershock tells the stories of some of those women, and how their families are channeling grief into action.
With a simple gesture, Sacheen Littlefeather lit a fuse that would impact the rest of her life.
When it comes to the media’s depictions of abortion, what we most often see may not accurately depict the reality of people’s experiences with abortion.
Palmer’s Emerald has tiptoed her way into the top ranks of horror’s greatest final girls for the very reason that she’s nothing like one.
Earlier this summer, the buzz for the upcoming show Ahsoka was palpable at the Star Wars Convention in Anaheim.
It’s vital for young people to find characters that we identify with so that we can not only feel confident in our own identities, but also become more accepting of identities different than our own.
A documentary and a dramatic film give a chilling portrait of the crushing impact of abortion bans — and of the courageous women who provided abortion care in pre-Roe Illinois.
As Saudi Arabia’s film industry expands, women see new opportunities.
The Final Girl is the last character alive left to stop the villain once and for all.
The documentary, which shows the “blood, sweat, and tears” of the team’s fight for pay equity, is being used as a vehicle for change.
It seems like 2021 brought a ripple of change to this double standard, and 2022 could turn that ripple into a wave.
While still a minority of those whose movies are selected to represent their nations in the category, women filmmakers often offer a distinct, female-centered point of view.
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